The Chosen: the Pride Flag Controversy

Jonathan Roumie as Jesus in The Chosen

Sometimes I am so disappointed with Evangelical subculture. There are some great things there, and in my opinion, one of the best things to come out of those two, dismal COVID years was Dallas Jenkins’s series about Jesus called The Chosen.

Apparently like many people, I didn’t have high expectations for The Chosen. That has changed. There are many things Jenkins and company really get right. A big one is that the writing team consults with a group of advisers from various backgrounds, including a Messianic Jewish rabbi. The fruit of this is good. The Chosen series feels very Jewish, as it should. It has been a conviction of mine for years that one cannot understand Jesus deeply without understanding the Jewish context in which He lived His earthly life.

Another aspect to love is the concept of character development. Some are now viewing this as a red flag – the concocting of “unbiblical” back-stories to fill in the gaps of the sparse biblical narrative. But friends, this is called historical fiction – creating plausible narratives that are informed by a culturally recognizable context, including both actual and made up events.

But is this a good idea? Is this taking liberty with the sacred text? I would assert that the writers are not taking liberties with the text. When the show’s dialogue intersects with actual biblical passages, the writers take care to remain true to what is written in the scriptures, and a biblically literate viewer is always able to recognize those passages. Here is a screenshot of the intro from episode one:

Intro message from episode 1 of The Chosen

So why the back-stories? In my opinion, this is the genius of The Chosen. It is these fictitious back-stories that enable viewers to emotionally connect with the characters, so that when we do get to the scriptural words and actions of Jesus, they land on us in a more profound way.

The characters are unapologetically depicted as human and flawed, and we understand that something like what we’re seeing may very well have occurred that made the words and actions of Jesus more meaningful for them than we know. Think of the comfort and prestige of Nicodemas’s life and the tension that creates in him. Or Nathanael’s desire to glorify God, and his crisis of faith under the fig tree. Or Mary’s struggle with her past and with her self worth.

Every character is imagined with a unique story and personality. We can sympathize with them and their struggles. This is good storytelling.

To segue into the flag controversy, there is another aspect to love about The Chosen. We now know that Dallas and his wife have chosen to run their company in such a way that “there is no spiritual litmus test” for the people they employ. Furthermore they do not disallow personal expression within an employee’s personal space, nor do they attempt to monitor their employees’ social media accounts and personal lives. Consequently there is a diversity of opinions being expressed on and off the set. In Dallas’s words, “we discuss our differences in the context of relationship”… as a “family” To me that’s Spirit-informed thinking.

This diversity of viewpoints on the set showed up recently in a promo video for season four. An independent contractor had an American flag and a pride flag mounted on his camera, and the flags briefly appeared in the behind-the-scenes video. Fans were not pleased. Accusations have flown. Rumors have spread. Many have withdrawn support. Comparisons have been made to Target and Bud light. A boycott has been called for.

Director Dallas Jenkins responded with a 20 minute Youtube post, but the majority of people commenting are not satisfied. Within evangelicalism and conservatism there is currently a backlash to LGBTQ+ initiatives and not without good reason. Concerns run the gamut from the erasure of biological women, their opportunities, and their private spaces, to children being psychologically and even physically damaged by gender ideology. So a pride flag on a promo video for The Chosen is unacceptable for many fans, regardless of why it’s there.

So why was it there? Dallas claims they didn’t notice it. Perhaps because it’s something they see every day on set. But he stated clearly, “I don’t celebrate pride.” The Chosen did not “wave/promote the LGBTQ pride flag” as some claim. I appreciate his transparency regarding how he runs his business. I think letting us see the diversity behind the scenes is better than editing out the flag and projecting a false image of everyone on the set being a conservative evangelical. It’s also better than banning personal expression on the set and punishing non-compliance, as some are now advocating.

But what about the message that’s being sent in the promo video? It looks like The Chosen is advocating LGBTQ+ ideology! Well, you could certainly say that. You could also say that it looks like some of The Chosen employees support LGBTQ+ ideology. Which apparently is true. However, the message that’s being communicated through The Chosen is in the show itself, and Dallas Jenkins is in control of that. So far, I’m not seeing liberal theology or “progressive Christianity” being promoted. I’m seeing a biblically-based focus on the person of Jesus, and on His messiahship. And I’m hearing about a lot of good fruit.

I agree that the concerns around gender ideology are legit, but this is not about The Chosen leadership compromising their beliefs. It’s about their association. I think Jesus might have something to teach us about that, but it might not be what some Chosen fans are thinking. Critics charge, “but Jesus said, ‘go and sin no more.’” Note that the Pharisees said that too. What do you suppose the difference was? One difference I see is that Jesus “associated with the lowly.” He ate with “sinners and tax collectors.” He served and had significant associations with women, “unclean” people, Roman soldiers, prostitutes, Samaritan “half-breeds,” gentiles, the poor, and others with whom the Pharisees would not associate. He therefore had credibility with marginalized people.

Regarding LGBTQ people, the conservative Evangelical Church has generally done a poor job of treating them as valuable human beings created in God’s image. Our “pro-family” stance is not perceived as compassionate, and that is a problem. There are many gay people who do not subscribe to the activist LGBTQ agenda. There are people in, or formerly in, our churches who have unwanted same sex attractions, but don’t feel they can tell anyone. There are dysphoric young people who are vulnerable to the acceptance being held out by LGBTQ activists, while the pro- family majority doesn’t feel very welcoming.

There is an enormous amount cultural confusion around the issue of human sexuality now, spurred on by media’s repetition of progressive myths like, “sex is a spectrum,” and “gender is a social construct.” The church of Jesus should be a clarifying and compassionate voice in the culture, but often we repeat tropes and platitudes with an approach that is more political than spiritual. Instead of approaching our fellow travelers with friendship, compassion, understanding, science, and revelation, so many of us go barreling down the wide road of groupthink. The Chosen controversy is a case in point; the rushing-to-judgment, rumors, gossip, and factionalism contradict the way of Jesus.

In an entertainment industry that mostly runs the gamut from pointless to poisonous, Dallas Jenkins and company have brought something rich and redemptive to the world. I applaud them for that. I’ve had a couple of points of disagreement with some lines in the show. Disagreements are okay because Jenkins and company are making a good faith effort. You may disagree with my take here. I welcome that. But in the church of Jesus especially, we need to stop being so quick to divide.

The day may come when the actual message of The Chosen departs from the Scriptures and badly misrepresents the Jesus we know and love. For me, that day is not today. If and until that day comes, how astonishingly self-defeating it would be if this project were to grind to a halt because of the reactions of Christians. SMH.

The fruit of the righteous is a tree of life, And he who is wise wins souls
(Prov 11:30, NASB)

There is one who speaks rashly like the thrusts of a sword, But the tongue of the wise brings healing (Prov 12:18, NASB)

The heart of the wise makes his speech judicious and adds persuasiveness to his lips
(Prov 16:23, ESV)

“Do You See This Woman?” – A New Painting

Oil painting of Jesus, and woman washing His feet with her tears
Do You See This Woman?, oil on canvas, 24×36″

One of the things I love about the Jesus of the Bible is how He revolutionized the status of women. His every interaction with women had unexpectedly affirming aspects for the time in which He lived. Women seemed to feel free to approach Him. Female followers supported Him financially. Even non-Jewish women received blessing from Him. The resurrection of Jesus is arguably the capstone of His redemptive work. To me it is noteworthy that He first entrusted the news of this world-changing miracle to a small group of women, knowing their testimony would be doubted.

A friend recently commissioned me to do an oil painting based on a passage found in the 7th chapter of the gospel of Luke. This passage describes one of Jesus’s affirming interactions with a woman in the face of religious self-righteousness.

The passage tells of a Pharisee issuing an invitation to Jesus, asking Him to come and dine with him at his house. This event was likely expected to feature a religious discussion around a meal. The invited men would recline around the table, while the uninvited villagers would be allowed to listen to the discussion from the perimeter of the room. Upon entering, each honored guest would be greeted with a kiss and have his feet washed. When Jesus enters Simon’s house, these customary gestures are not offered to Him. He quietly receives this insult and reclines at table.

The woman in the story is waiting for Jesus at the perimeter, holding an alabaster vial of perfume. She surely would’ve noticed the insult and she more than makes up for it, pouring out her love upon Jesus. She courageously approaches Him from behind, weeping. She kneels down and wets His feet with her tears. Then, breaking taboo, she lets down her hair in public and begins wiping His feet with her hair. She humbly kisses His feet repeatedly and anoints them with the perfume. The fragrance reaches everyone in the room.

It is an incredibly moving display, and Simon inwardly judges both the woman and Jesus for it. Jesus then speaks, asking Simon a question that illuminates exactly what is happening. And then, in what is my favorite part of the story, the narrative says, “…Turning toward the woman, He said to Simon, ‘Do you see this woman?…’” This is the moment depicted in my painting.

I love that it says, “turning toward the woman.” Surely up to this point she must have felt alone, embarrassed, outcast, and perhaps ashamed, to be doing these things in a Pharisee’s house as an uninvited guest. But now Jesus is facing her. Facing her, seeing her, He continues speaking to Simon:

…I entered your house; you gave me no water for my feet,
but she has wet my feet with her tears and wiped them with her hair.
You gave me no kiss;
but she, since the time I came in, has not ceased to kiss my feet.
You did not anoint my head with oil,
but she has anointed my feet with perfume.
For this reason I say to you, her sins, which are many, have been forgiven,
for she loved much; but he who is forgiven little, loves little.

Then He said to her, “Your sins have been forgiven.”

Those who were reclining at the table with Him began to say to themselves, “Who is this man who even forgives sins?”

And He said to the woman, “Your faith has saved you; go in peace.”

The light in the painting helps to tell the story. The face of Jesus is suffused with light. The woman’s upturned face receives the Light, while Simon’s face remains in shadow.

Jesus's face - detail of painting, "Do You See This Woman?"

Some of the cultural insights here are inspired by one of my primary spiritual mentors, Jonathan Williams. You can order his book, “The Women Jesus Loved,” here.

New Book Release: The Friendly City

Illustration spread from pp24-25 of The Friendly City
“In time, the factory stopped making the funny, creative New Burbian cars because they were too easy to break and too expensive to fix…”

If you’re wondering if anything good came out of the year 2020, here’s something, (though admittedly it’s not a global event) :

I FINALLY finished my next kids’ book!

Back when I was parenting, my favorite storybooks were engaging for my kids, but also enjoyable for me to read as well. (Because I had to read them repeatedly!) Hopefully, The Friendly City will be that kind of storybook book for you and your little people. It’s a fun story and also visually captivating.

Steampunk, dinosaur, and Mona Lisa cars from New Burbia

The Friendly City tells the story of New Burbia, a town that is home to the best and most polite drivers in the world. The New Burbians drive imaginative and fanciful cars that make everyone smile. One day a new mayor who has some well-meaning ideas is elected. Chaos ensues when he implements his new plan to remove all the road signs and traffic lights. (He reasons that the restrictive road signs are unnecessary since New Burbia is home to the best drivers in the world.) Subsequently the city becomes not-so-friendly as the formerly agreed upon rules of the road are disregarded.

Mayor Piffle is elected to New Burbia in The Friendly City

In time a small community forms whose members commit to remembering and observing the old rules of the road, and to bringing kindness back to the city. Together they find joy in welcoming others, and helping to make the city a friendlier place again.

The Caring Drivers Group is representative of the Church in the Friendly City

I think this is a great story for our current troubled and divided cultural climate.

The story stands alone as an engaging story for kids even with no explanation. But since you’re all adults, I thought it might be fun to share from the Note to Parents from the Author, at the back of the book:

…The Friendly City illustrates the workings of two spheres of life: that of civics and the Church.

CIVICS
America’s founders envisioned a “self-governing” society. In order for such a society to work, we citizens must be people of character and, at least to some extent, be united by a common morality that transcends our subjective feelings. John Adams, America’s second president, famously stated,




Page 21 - the removal of the road signs

“Our Constitution was made only for a moral and religious people. It is wholly inadequate to the government of any other.”

Benjamin Franklin described the path that government will inevitably take when social and sexual mores break down,

“Only a virtuous people are capable of freedom. As nations become corrupt and vicious, they have more need of masters.”

The removal of the street signs is a metaphor for the rejection of previously agreed upon societal mores. Adams and Franklin make a brief appearance in The Friendly City as this is happening.

THE CHURCH
The Caring Drivers Group represents the Church in this story. As such, it does not seek to create a utopia in a broken society, as so many secular “isms” attempt to do. Rather, it seeks to create a life-enhancing, restorative sub-culture that is focused on loving relationship. The focus on love over rule-keeping is meant to be reminiscent of Paul’s pronouncement, “Love does no wrong to a neighbor; therefore love is the fulfillment of the law” (Romans 13:10).

The Friendly City - cover

So there you have a preview of The Friendly City. You can order your copy, along with my other books, from my online bookstore HERE at BigPicturePublishing.

I frantically tried to get this all put together in time for folks to receive orders by Christmas, and I’m pretty sure I succeeded. I’ve got a crate of books due to arrive in a few days. If you place your order now, there’s a high likelihood you’ll have it before Christmas. (Until I run out!)

One more thing: I started an Instagram account so that you can preview all my storybooks, page by page.
So far I’ve got my Christmas book, The True Story of Christmas, ready to view. Others will follow in the new year. You can follow me on Instagram and preview The True Story of Christmas HERE.

THANK YOU for your support, and may you and your family have a joyous Christmas season!

My Top 10 Christmas Movies

American Girl Doll Samantha
I admit…one of my favorite Christmas movies is an American Girl Doll movie. Don’t judge me.

At our house we love a good story. One of our Christmas traditions is watching Christmas movies together, beginning right after Thanksgiving. I’ve noticed that if I do this with too many lame Christmas movies it makes me sad and tempts me to hate Christmas. So here are 10 that I can look forward to seeing during the season.

Here’s my criterion for the Top 10:
My personality requires that a Christmas movie be meaningful to me in some way. If it’s only about Santa Claus, or people singing and dancing, or Christmas for the sake of Christmas, that doesn’t quite do it for me. (Even though I like to watch Elf every year because the idea of a human raised in elf culture is pretty hilarious, Elf didn’t quite make the cut).

Also, since we like to watch movies as a family I wanted to make the list kid friendly. I believe these ten movies are. I hope I’m not forgetting anything. I’ve made note of possible exceptions at the end of some descriptions. (I like the idea of making Green Book a Christmas movie, for example, but it has some thematic elements that don’t fit well with small kids, so it didn’t make the cut ).

10 – Little House on the Prairie – The Christmas They Never Forgot
I haven’t actually seen this movie for a couple of decades because we only have it on VHS, but I think I really like it. The entire Ingalls family and a friend get snowed in by a Christmas Eve blizzard. They decide to pass the time by sitting around the fire and sharing stories of their favorite past Christmases. Almanzo’s story is the only one I remember, but it’s pretty great. Also, Hester Sue tells her story of what Christmas was like for her as a slave child.

9 – Prancer
A beautifully filmed movie about very average people in a small town. Sam Elliott plays a prickly widower struggling to raise his 2 kids. His spunky and mildly annoying daughter has a Christmassy secret that becomes public in hilarious fashion. This leads to the father having an emotional epiphany of his own, leading him to reexamine his priorities and rejoin the land of the living. The characters are wonderfully cast in this film.

8 – Miracle On 34th Street
In contrast to Prancer, this is a beautifully filmed movie about a beautiful couple in NYC. While the movie revolves around a charming Kris Kringle character (Richard Attenborough), the movie is really about the struggle between good and evil, belief and distrust, within each of us. While I might disagree philosophically with a few ideas, the bottom line is that it’s a visually lovely Christmas movie that is enjoyable to watch.

7 – The Bishop’s Wife
I haven’t seen the 1996 remake, so I can’t make a comparison, but I can’t imagine why this movie needed to be remade. In this 1947 black and white film, Cary Grant plays an angel sent to help a Bishop get his priorities straight, (though that’s not why the Bishop thinks he’s been sent a helper). The emotional affair between the angel and the Bishop’s wife has always made me a little uncomfortable, but the writers manage to erase the discomfort by the end of this amusing story.

6 – Christmas Eve
The newest movie on my list (2015), we watched this for the first time a couple of years ago, mostly because of the cast: Patrick Stewart, Jon Heder (Napoleon Dynamite), James Roday (Shawn from Psych), to name a few. It’s a psychologically fascinating idea. Basically, an entire section of NYC loses power on Christmas Eve, trapping various groups of people in 6 different elevators throughout the city. It’s kind of an exercise in imagining what would happen if you were forced to move beyond the surface with people you would ordinarily pass by. (For instance, a guy who just got fired on Christmas Eve gets stuck on an elevator with the manager who fired him). The entire movie consists of following these wildly diverse groups as they interact throughout the evening, resulting in some alternately amusing and profound moments.

5 – The Nativity Story
After all, the birth of Jesus is the reason we have a holiday called Christmas, so every season I want to see a movie telling that story. This is the best one I’ve seen. I love that the characters look middle-eastern (because they are). And yet, despite their quest for authenticity, the producers fail to comply with the biblical narrative at a couple of points. Nonetheless there are many powerful and beautiful moments. For me it is most moving to watch the awkwardness of Mary and Joseph’s divinely-created predicament being played out in a palpably human manner. Visually this film is exceptional.

Note: there are a couple of violent (but not terribly graphic) scenes having to do with Roman soldiers, which some kids might find disturbing.

4 – A Christmas Carol (George C. Scott version – 2009?)
These last 4 are difficult to rate. Perhaps I only rank this at number 4 because of its familiarity, and I want end with a couple of movies you probably haven’t seen. For me A Christmas Carol may be the quintessential Christmas story. I LOVE the story of Mr. Scrooge’s repentance and joyful embrace of becoming a man who “knew how to keep Christmas well, if any man alive possessed the knowledge.” I like this particular version because of its beautiful filming and clarity. (Apparently there are over 8 movie versions of this story). I also have the1951 classic version starring Alastair Sim as Scrooge. It has its superior aspects, but overall I find it sometimes difficult to watch and understand.

Note: some children might find Marley and some of the Christmas spirits frightening.

3 – It’s A Wonderful Life
These last 3 are probably a 3 way tie. Love this story. Love the characters. Love the self-sacrifice of George Bailey, reluctant though it may be at times. (Love that too). Love the corniness. Love the dialogue and the quotable lines. Love Clarence, the angel with “the IQ of a rabbit.” Love the valuing of family and community over personal achievement. I suppose this film is similar to A Christmas Carol in that a man is made to assess his life with the help of a supernatural being, and has a change of heart. I guess something about that resonates with our common human experience.

2 – Samantha – An American Girl Holiday
Okay…my guy friends will probably revoke my man-card for listing these last 2 as my favorites, but I don’t care – I love this movie!

Yes, I know this film was probably made as a marketing stratagem to sell more Samantha Parkington dolls and accessories, (hence the stupid title), but it resulted in a great Christmas movie! It actually makes me CRY…there, I said it! But not due to mere sentimentality. The movie is about love, family, friendship, loss, social justice (yes), and how privilege and power could, or should, be used.

I only know about this movie because my wife and I bought it years ago for our daughter who owned a Samantha doll. We have since stolen the DVD back from her. I still can’t believe somebody made a full length movie this good to sell a toy. Don’t knock it ‘til you’ve seen it. Don’t even try to tell me you sat through this and didn’t tear up.

I don’t even know how to summarize without spoiling the movie. I’ll just say the movie is set at the end of the Victorian era, in New York, 1904. Samantha befriends a neighboring immigrant servant girl, and…you should just watch this movie.

1 – A Season For Miracles
Number one of the 3-way tie – a movie nobody has heard of. That’s probably because it’s a Hallmark movie. Elitist types have taught us to smirk at and disdain Hallmark movies. Not unlike the Samantha movie, this one is also a marketing tool. In this case, the movie was made in order to create a positive emotional connection in the viewer’s mind toward Hallmark Cards, Inc. (I know this because I worked at Hallmark as an artist and I once heard the guy in charge of Hallmark movies speak). But I don’t care! I LOVE this movie!! Hooray for ethical capitalism!!!

But about the movie. All I’ll say is this. A devoted aunt rescues her sister’s kids from being put into the foster care system, but she does this pretty much illegally. Things get complicated as she tries to make this work by blending into a small town. She meets a guy, whose attraction to her further complicates things. So it’s a love story, but also a story about trust, poverty and privilege, exclusion and community, and love. All kinds of love. Did I say love? Love is awesome. Always. Good movies about love are the awesomest.

Our family lived in the inner city for a long time. The biological mother (Laura Dern) in this film is scarily spot on. Same with her street smart and not-cute daughter. Pretty gritty stuff for a Hallmark movie. My only complaint is that, as in several of my picks, there is an angel in this movie, which I think the movie could have done better without. But in keeping with Hallmark’s tendency to gild the lily, there she is. I still love this movie. I think you will too.

Share you thoughts
If you check out a movie from this list that is new to you, I’d love for you to come back and share your thoughts in the comment section below. What did you think?

Also, if you would like to recommend your favorite Christmas movie below, I’d love to hear it. I’m always on the watch for good ones.

Merry Christmas!
Scott

The Visitation

As we approach the Christmas season, I thought I would share a favorite post, The Visitation, from several years ago. I still find it encouraging, and I hope you will too:

Sometimes I find it enriching to “copy” great paintings. I like doing this for a couple of reasons. First, re-tracing the stages of a great painting is a good way to learn about painting. It’s like thinking the thoughts of the painter after him/her. In the process one can sometimes understand why the original painter made certain decisions about color, composition, and subject matter.

But secondly, I view re-painting a great composition as similar to doing a musical cover of a great song. It’s not about making a literal copy, or even necessarily trying to improve upon the old composition. Sometimes it’s about making the song (or painting) come alive for a new generation, and honoring the greatness of the original. For me it says there is something beautiful or profound there that is worth looking at or listening to again.

Below is an early 16th century painting by Italian artist Mariotto Albertinelli. I think it’s a painting worth writing about during the Advent season. I’ve never seen this painting in person. I only ran across it in an old art book one day, and it stopped me cold. I’ll tell you why I was drawn to this painting…

Image

…I was moved for a number of reasons. The main reason is the tender depiction of the relationship of these two pregnant women, each leaning in toward the other. I love how their hands are clasped near their wombs; how the older begins to embrace the younger. Most striking of all to me is the proximity of their faces to one another – almost touching, as if there really is no adequate physical way to express what they are feeling.

Even if you’re unfamiliar with the story that is depicted here, you may get the feeling that something momentous has happened, or is happening. You may feel that these women share some wonderful secret.

In fact, they do share a terrible and fantastic secret.

This is a depiction of what has come to be called The Visitation, recorded in the first chapter of the gospel of Luke. After learning that her elder kinswoman, Elizabeth, is pregnant, Mary goes to visit her in the hill country of Judah. Both women carry children miraculously conceived, and named by God Himself. Both pregnancies were preceded by secretive angelic visits, with messages so extraordinary that they strained belief. Even today, some two thousand years later, most people do not believe their story. Yet, enough of us do believe it that the story remains with us.

Elizabeth’s situation is a bundle of conundrums. She is infertile, past childbearing age, and childless – until now. At the time of Mary’s visit, Elizabeth is six months into her pregnancy. Of her coming child, John, the angel Gabriel had spoken these words:

“…he will be great before the Lord,…And he will turn many of the sons of Israel to the Lord their God, and he will go before him in the spirit and the power of Elijah, to turn the hearts of the fathers to the children…” (Luke 1:15-17)

These words were a direct reference to the very last words written by the last Mosaic covenant prophet, Malachi, prophesying what would occur before the coming of the Messiah (Malachi 4:5). Now after 400 years of silence from God, the waiting is over, and Elizabeth’s child will be this Messiah’s forerunner. However, even knowing the prophecies, nothing would unfold as expected:

Elizabeth was the wife of a Jewish temple priest. Their child John would announce the Messiah, who would in turn make that Jewish Aaronic priesthood obsolete (Heb 8:1-13). He would do this, not because that system was wrong, but because the entire Mosaic system pointed to Him, and He would bring about something much better. In fact this Messiah would be the fulfillment of every Mosaic covenant feast and ritual, though no one could see it at the time.

Mary’s situation is even more impossible. In a culture where sexual infidelity is a punishable offense, she chooses to bear the stigma of an untimely pregnancy. But what can she say to people? God made me pregnant? Only an angelic visit to Joseph persuades him to stay with her.

And after that, what can he say to people? An angel told me in a dream that God made her pregnant? Right. Oh…and by the way, our baby is the Messiah that you and all of Israel have been expecting for centuries? There is really nothing to be done except to let the story unfold. Only trusting in the loving God who initiated all of these things makes sense.

So for now these two women have each other, both caught up in events too mysterious and too earthshaking to be understood at this point. They stand at a place of vivid tension between flesh and Spirit, faith and sight, darkness and light, and between this age and the one to come.

“The Visitation” – watercolor by Scott Freeman
based on a 16th c painting by Mariotto Albertinelli

For those interested, the original painting has been sold, but I do have prints available of the original. Prints are 6×8″ on archival watercolor paper, and come with a certificate of authenticity. Cost is $20.00, unframed, and includes shipping within the US. Makes a nice gift for both art lovers and people of faith. To order, email me at scottnmollie@yahoo.com.