A Painting: Bringing the Hidden Stuff to Light

worship painting, Scott Freeman

“Transformation” by Scott Freeman, 22×28, latex paint on canvas

Some thoughts around community and authenticity
I haven’t done a great deal of worship painting, (defined as live painting during a worship service,) and when I have done so, I’m not sure that what I’ve painted has spoken to many people. But recently I did a worship painting that seemed to connect with several bros. After the service I had some great conversations, and several people wanted to purchase the painting.

I was a little embarrassed about the subject matter, due, I suppose, to my fine art schooling and the fact that Christian subculture can get pretty cheesy at times. But I do consciously aim to make work that exists in a place of tension between populism and elitism. This is possibly due to the fact that I had a thoroughly blue-collar upbringing, but then attended a private, elitist art college. I found that both had valuable things to offer.

On this night, I figured that making a painting featuring both a sword and a mask would render it hopelessly clichéd in the eyes any art snobs in the room, but I couldn’t think of a better way to communicate what I wanted to say. So I ignored all that and made the painting.

The painting
I had some friends in mind as I made the painting – guys that are struggling to overcome various addictions, and for whom this struggle has been a protracted battle. As I’ve watched my friends I’ve been impressed by their humility; by their willingness to make themselves vulnerable and accountable to our church congregation of fellow travelers.

This has required them to remove their masks; to allow us into their lives to see them as they are in their failures, and allow us to accept them and care for them. But it’s difficult removing masks. It’s counter-intuitive. It requires a death to self, and that’s what the sword represents. It really is a battle. I see my friends as warriors.

As I was painting I noticed that the mask has the shape of a shield. It struck me that we may try to use masks as a shield; as a way to protect ourselves, and as something to hide behind. But a mask fails as a shield. A mask is too small, and we all know what’s behind the mask anyway – a broken person who needs connection with God and with other people. We intuitively know this because it’s true for us all.

So the figure in the painting is instead looking to the light of God; exposing himself to God; surrendering himself to God; receiving new life from God, resting in God’s grace. The mask is down. The armor we actually need is the spiritual armor described by the apostle Paul, including the shield of faith and the sword of the Spirit, which is the word of God (Eph 6:10-18).

Why do we pretend to have our poop in a group?
Church culture can tend to perpetuate mask-wearing as a way to hide our secret sins and imperfections. Maybe it’s because we celebrate the destination, and it’s easier to present the impression we have already arrived than it is to do the uncomfortable work of making the inward journey. Or maybe we feel we don’t have fellow travelers that we can trust. Maybe for a wounded person it feels safer to forego taking a relational risk. Maybe we just don’t know a better way.

But hiding our sins and imperfections is to misunderstand what Jesus envisioned a community of His followers to be. The church was intended to be a subculture of life, called out from a culture of death. Life as God defines it means walking in communion and love, and walking in freedom that comes from addressing our brokenness.

The process of coming to the Light so that the darkness in our hearts is exposed is a process we must all undertake if we are to live in the community of God’s Life. Entrenched lies and destructive patterns must be identified, named, confessed and brought to light, put to death, and then replaced with Truth. Otherwise, they will continue to inhibit the Spiritual healing and wholeness that God has in mind for us.

The hidden stuff has a way of not staying hidden anyway. If it remains present it will shape our identity and our behavior, even affecting those relationships around us as it tends to come out in hurtful or inappropriate ways.

Restoration and Transformation
We were made for wholeness, for freedom, and for loving communion with God and one another. He has created us to need Him, and to need community with one another; to know and to be known; to experience relational unity as human beings helping each other along in the process of being restored to wholeness. The shameful stuff, whatever it may be, has power over us as long as it remains hidden.

“…If we walk in the Light as He Himself is in the Light, we have fellowship with one another, and the blood of Jesus His Son cleanses us from all sin. If we say we have no sin, we are deceiving ourselves and the truth is not in us. If we confess our sins, He is faithful and righteous to forgive us our sins and to cleanse us from all unrighteousness”
(1 John 1:7-9).

May we walk in the Light together.

removing the mask

Prints are available of this painting. Email me if you’re interested at scottnmollie@yahoo.com.

A Brief Update

Scott Freeman street art

“Loveland Gothic,” 12×15 ft, painted by 320 local citizens, young and old.

Book Update:
Well, I think I’ve finally figured out how to get back to book making. I’ve secured a part-time job at a local cabinetry company. This helps to ease the financial pressure for my wife and me, and I’m home from work by noon, which should allow me to get back to working on new storybooks that are waiting to come to life. Thank you for your patience!

Other Stuff:
For the past 3 years, I and a small army of volunteers from my church have facilitated the creation of a community mural, painted by local festival-goers, during downtown Loveland’s annual Valentine’s Day festival.

Each year we’ve spoofed an iconic fine art painting, giving each painting a Valentiney twist. This year I chose an American artist, Grant Wood, using the occasion to celebrate sibling love. Many people assume that Wood’s original painting depicts a husband and wife, though this is probably not the case. Wood never clearly defined the relationship of the characters.

The point of the mural project is to bring the community together in creating something fun, creative, and monumental. Individuals are encouraged to express their individuality on their tiles, and those tiles then each become a part of the bigger picture – a metaphor for community. Festival-goers do not know in advance what the bigger picture will be. This is the reason I have chosen fine art imagery – these images are already well loved by the public and are hopefully something of which no one would object to being a part.

My hope in this is that the church can bring something to the unchurched community that will be received as positive, valuable, and inclusive – things that many do not associate with church in the current social climate

All in all, I think the mural came together nicely! It’s on 4th Street and Lincoln ( hwy 287) if you’d like to stop by. Thanks to the Loveland Downtown Partnership and Chamber of Commerce for their support this year. Also thanks to all the volunteers at Beggars’ Gate church for braving the cold and making this happen again.

Scott Freeman - public art

Detail showing the bear chainsaw sculpture and the Abraham Lincoln brooch.

Loveland Gothic-God is Love

A New Mural Project and the Story Behind It

MLK mural Indianapolis

Photo copyright 2018 Sierra Gillard, used with permission from photographer and subject.

Here’s a story worth telling, about art and hopefulness.

Although I’m a fine art painter in my own right, I’ve increasingly found satisfaction in facilitating “non-artists” in the enterprise of art making. I’ve developed an inclusive process by which virtually anyone, including small children and people with physical or mental disabilities, can be a participant in creating a compelling, monumental artwork. (Of course, skilled artists are welcome as well!) This process necessarily involves large numbers of people.

This recent story began with a discussion I had with one of my daughters last Christmas. She and her husband were visiting for the holiday, and I wanted to hear about her new job in Indianapolis. She was teaching at an inner city school there in a pretty rough environment. She recounted that one of the students had been shot over Thanksgiving break, and that when school resumed, fights had been breaking out over the incident.

The high school where she was teaching had combined two different high schools for the current school year. Then at the close of the school year, these high school students were going to be moved again, and the current school was to become a middle school for the next school year.

My daughter recounted conversations she had with students during a time of sharing thoughts. She told me that pretty much across the board the students feel like nothing they do matters to other individuals. Certainly not nationally, but not even locally. Their voices don’t matter. What they do doesn’t matter.

Pointlessness and hopelessness are not good ingredients for creating a culture of life. Especially for a demographic that has a lot stacked against it.

I wondered out loud about how something like the Fire & Ice Festival murals would go over at her school. For the last 2 years, the small church I attend has been helping me put on these big art-making events, each culminating in a giant public mural. The point of the process is that each individual paints a small square of the larger picture. Each tile bears the personal expression of the individual, while contributing to a larger mural that the entire city can enjoy – a colorful metaphor for community.

We envisioned the possibility that the Arlington High School (AHS) students could see such a mural as both a legacy that they could leave to the incoming middle school students, but also be a way that they could leave their individual mark in a creative, positive, and lasting way. It seemed like these students could use something that would feed their souls; to be part of something big and meaningful. I understood that the staff and teachers at AHS already work hard to deliver this, and this seemed like something that I could contribute, even if from a distance.

I cautioned my daughter that it would be a ton of work for her, but she took it on. She ran it past her principal and then the staff. Even without being able to fully know what was coming they said “yes.” I ran the idea past my pastor to see if our church, Beggars’ Gate, would be willing to cover the cost of my time. The high school would cover materials, installation, and its own time. It was now officially a collaboration between a little church in Loveland, Colorado, and a large high school in urban Indianapolis, Indiana.

The school principal approved a design bearing a likeness of Martin Luther King Jr., which was fitting for this year because 2018 is the 50th anniversary of Dr. King’s tragic assassination.

I completed my part and shipped off over 750, six inch square, prepped and coded tiles to Indianapolis. As the painting began at AHS, the students got into it and so did the staff. My daughter had a friend come in and DJ the painting area to create a good atmosphere. Good things happened. Creativity flowed. Dancing ensued.

community art project

Some kids, “hall-walkers” who have not been able to find their place in an academic setting, found their place in this setting.

At least one student who is artistically gifted spent over 2 hours on his 6 inch square tile. He said it was the first time he had used paint.

A Behavior Specialist on staff said, “You know what? If we would’ve done this earlier in the year, I think our kids would’ve done better. It’s inspiring. I’m inspired!”

As the individual painting was going on, no one really knew what was coming. A few kids snuck their tiles out, presumably because they didn’t want to give them up. But when the seemingly random pieces all came together and went up on the wall, the result was spectacular. A lot of hugs were exchanged.

Congrats to Principal Law and the staff and students at Arlington High School – you did a great job!  Thank you Beggers’ Gate Church, for your support!

Martin Luther King Jr memorial

Martin Luther King Jr. Memorial Mural, painted by the students and staff of Arlington High School. Formatted by Scott Freeman, 2018. (12.5 x 25.5 ft)

Obviously, a mural is not going to solve anyone’s problems. But if, at least for some students, it provided some sense of being part of something transcendent; of having a unique place in community; of seeing themselves as being mentors to younger kids; of creative potential breaking out; then I think that’s a good thing. Maybe that’s about the most we can expect from art.

inner city high school project

Find your place in the bigger picture

Getting a vision? Contact me about bringing an experience like this to where you are.
My email is scottnmollie@yahoo.com.

The Kingdom of God Excites Me Every Day

kingdom of God parables

“The Parable of the Weeds Among the Wheat,” oil painting by Scott Freeman

When I was a college student, I heard a teaching series at my church on the kingdom of God that changed my life. Somehow, even though I had grown up in a Bible-believing church and considered myself a lifelong student of the Bible, the topic had mostly escaped my notice. Decades have passed since then and I would say that the topic of the kingdom of God continues to consume my attention and define my life, informing everything I do.

But it’s not quite accurate to say the “topic” consumes me, because the kingdom of God is much more than a mere topic of discussion. It’s a reality in which we as Spirit-born believers live. In a nutshell, one could say the kingdom of God refers to the “reign of God” on earth. In practice, God has designed His kingdom so that citizens live in voluntary, relational unity with Him, living life led by His Spirit.

The Hebrew prophets spoke of this coming eternal kingdom with anticipation, but when the Messiah arrived, his implementation of the kingdom perplexed everyone. It was not until after His resurrection from death and a great deal of patient explanation that His followers understood how the kingdom had entered the world. The new covenant scriptures repeatedly refer to the mysteries of the kingdom as things that were formerly “hidden” but have now been made known to us.

We who are alive today have the remarkable opportunity to live out God’s plan for us in a way that old covenant prophets and kings longed for but could only dream about. Aspects of living life in the kingdom of God, right now, include: a new covenant with our Creator; new birth with a new access to God through Jesus; a new indwelling of the Spirit of God for everyone in the kingdom; a new relationship as sons and daughters as co-heirs with Jesus; a new relationship with Jesus as friends rather than slaves; a new life in the Spirit that fulfills and transcends a written code; and a new hope of resurrection and the ultimate fulfillment and completion of all that God has imagined for His creation.

Several years ago I painted the above painting for my church’s foyer as an expression of the kingdom. I like the image of the sower because it is an image that Jesus chose to describe Himself in this particular kingdom parable. It says a great deal about how the kingdom has come, and how it continues to expand over the earth. Below is my description from the plaque that accompanies the painting. I hope it excites you as it does me! :
mysteries of the kingdom of GodThe kingdom of heaven may be compared to a man who sowed good seed in his field; but while men were sleeping, his enemy came and sowed weeds among the wheat, and went away. So when the plants came up and bore grain, then the weeds appeared also. And the servants of the householder came and said to him, “Sir, did you not sow good seed in your field? How then has it weeds?” He said to them, “An enemy has done this.” The servants said to him, “Then do you want us to go and gather them?” But he said, “No, lest in gathering the weeds you root up the wheat along with them. Let both grow together until the harvest; and at harvest time I will tell the reapers, ‘Gather the weeds first and bind them in bundles to be burned; but gather the wheat into my barn.’ “   Matthew 13:24-30

During the time of Jesus, Israel’s expectation was that the long-awaited kingdom of God would come as an unmistakable, apocalyptic event. God’s promised messiah would appear, judging and doing away with every source of evil and suffering, and ushering in an eternal kingdom of peace.

Upon His arrival, however, the Messiah inaugurated a different kind of kingdom – a kingdom unlike the kingdoms of this world, but also different from what the Jewish people were expecting.

In the parable of the weeds among the wheat, Jesus identified the sower as Himself. At the establishment of His kingdom the Messiah came not as a warrior, but like one planting seed. His is first and foremost a revolution of love, light, Spirit, and grace rather than one of military might.

In explaining the parable, Jesus identified the good seed as “the sons of the kingdom.” The good seed is sown in the midst this present, corrupt age, growing up right alongside “the sons of the evil one” – bearing fruit over time for the King. Contrary to the expectations of His time, the King Himself withholds judgment until the end of this age, rather than bringing all things to completion at His first appearing (v 36-40.)

But the harvest time is coming. At that time “all causes of sin and all evildoers” will be destroyed, but “the righteous will shine like the sun in the kingdom of their Father” (v 41-43.)

We, the Church, are the good seed – God’s manifestation of His kingdom in this present, evil age – in the world, but not of it. Though in many corners of the world His saints suffer greatly, still the good news of His kingdom goes out. The revolution continues”And this gospel of the kingdom will be preached throughout the whole world, as a testimony to all nations; and then the end will come” (Matt 24:14.)

My children’s storybook, The True Story of Christmas, presents a basic telling of the biblical narrative that kids can understand.

Preview: Upcoming Kids’ Storybook

New Burbia-the Friendly City

This month I want to give you a glimpse of the new kids’ storybook on which I’ve been working.

But first, you may have noticed that it’s been well over a year since I’ve released a new storybook, so here’s a brief personal update:

Over the past couple of years, due to the deaths of some very close family members, some other family events, as well as the need to pay off some debts, I’ve been working a “real job” 4 days a week. I feel this is necessary for now in order for Mollie and me to get our financial house in order. Frankly, it’s been a nice break from having to generate self-employment income after 15 years of pursuing a fine art career.

The downside is that it’s making book production much slower.

Nonetheless, my next storybook, The Friendly City, is well under way. Following is a summary of the story:

The story is about a town called New Burbia. New Burbia is home to the best, safest, and most polite drivers in the world. One of the best things about living in the town is that the citizens drive fun and fanciful cars. Everyone follows the rules of the road and is able to get where they want to go. All of this makes New Burbia a great place to live.

One day a new mayor is elected and he has an idea that will make New Burbia even better. Since New Burbia is home to the best, safest, and most polite drivers in the world, he reasons that there is no need for the road signs and traffic lights in town. (Road signs are for bad drivers.) He has the signs removed and tells the people that they are free to drive how they feel is best. Of course, chaos ensues and the town becomes less friendly.

Eventually, some citizens come together and form The Caring Drivers Group. They commit to remembering the rules of the road and to treating other drivers with patience, respect, and kindness. Even though most drivers don’t join them, their presence makes New Burbia a better place to live.

Here are some of the New Burbian cars that were driven before the Mayor’s plan was implemented:

illustrated kids storybook

storybook illustration

illustration, rockets, vikings, hamsters

The Caring Drivers Group is a metaphor for the Church. The Church of Jesus exists, in part, to be God’s manifestation of His kingdom in the midst of a corrupt age. Rather than attempting to “fix” our broken world, the church exists as a light and an example as we invite people into relational unity with God and His people.

I thought it would fill a need to have a fun storybook that reinforces for kids the idea of a body of people that is not trying to fix the world, or impose a political or otherwise utopian solution onto society. Rather, we live as “aliens” within a broken culture, creating a subculture of love, caring, and truth, inviting people to join us.

I expect that The Friendly City will be released early next year (2018.) Of course I will keep you posted!

Please share your opinion with me on upcoming books!
I’d love to have your input as to future planned book releases. My plans include:

  1. The Drink – an original metaphorical story about a boy wandering the desert, checking out various water wells as he searches for “the living water” he has heard about. Based on Jesus’s description of himself as the living water.
  2. A New Family – a storybook that positively articulates God’s design for marriage as described by Jesus. This story is narrated by a little girl who is watching a wedding ceremony.
  3. The Emperor’s New Clothes – An updated/revised version of the Hans Christian Andersen fairy tale. I remember how this story made an impression on me as a child, and it remains as relevant as ever in a culture that seeks to pressure children to accept false assertions about life.
  4. An Easter/Passover storybook – Not written yet, but as a parent I found it difficult to find great picture books that celebrate the resurrection of Jesus.
  5. A Kingdom of God storybook – Also not written yet. I would love to do a storybook for kids that explains in simple terms the kingdom of God that Jesus preached. This would include explaining His kingdom parables and other statements about the kingdom.
  6. The Kingdom of Light – (Not to be confused with the previous book) An original story about a stained glass window maker who lived in a dim kingdom. The villagers can’t see the beauty of the windows until light shines through them.

I would value your feedback on which of these storybooks you would like to see made available first. Do any of these in particular stand out as being more important to you, or as being more helpful to you as a parent, grandparent, or person of influence?

Please reply in the comment section. Thank you for your input!

storybook illustration-steam punk