A Painting: Bringing the Hidden Stuff to Light

worship painting, Scott Freeman

“Transformation” by Scott Freeman, 22×28, latex paint on canvas

Some thoughts around community and authenticity
I haven’t done a great deal of worship painting, (defined as live painting during a worship service,) and when I have done so, I’m not sure that what I’ve painted has spoken to many people. But recently I did a worship painting that seemed to connect with several bros. After the service I had some great conversations, and several people wanted to purchase the painting.

I was a little embarrassed about the subject matter, due, I suppose, to my fine art schooling and the fact that Christian subculture can get pretty cheesy at times. But I do consciously aim to make work that exists in a place of tension between populism and elitism. This is possibly due to the fact that I had a thoroughly blue-collar upbringing, but then attended a private, elitist art college. I found that both had valuable things to offer.

On this night, I figured that making a painting featuring both a sword and a mask would render it hopelessly clichéd in the eyes any art snobs in the room, but I couldn’t think of a better way to communicate what I wanted to say. So I ignored all that and made the painting.

The painting
I had some friends in mind as I made the painting – guys that are struggling to overcome various addictions, and for whom this struggle has been a protracted battle. As I’ve watched my friends I’ve been impressed by their humility; by their willingness to make themselves vulnerable and accountable to our church congregation of fellow travelers.

This has required them to remove their masks; to allow us into their lives to see them as they are in their failures, and allow us to accept them and care for them. But it’s difficult removing masks. It’s counter-intuitive. It requires a death to self, and that’s what the sword represents. It really is a battle. I see my friends as warriors.

As I was painting I noticed that the mask has the shape of a shield. It struck me that we may try to use masks as a shield; as a way to protect ourselves, and as something to hide behind. But a mask fails as a shield. A mask is too small, and we all know what’s behind the mask anyway – a broken person who needs connection with God and with other people. We intuitively know this because it’s true for us all.

So the figure in the painting is instead looking to the light of God; exposing himself to God; surrendering himself to God; receiving new life from God, resting in God’s grace. The mask is down. The armor we actually need is the spiritual armor described by the apostle Paul, including the shield of faith and the sword of the Spirit, which is the word of God (Eph 6:10-18).

Why do we pretend to have our poop in a group?
Church culture can tend to perpetuate mask-wearing as a way to hide our secret sins and imperfections. Maybe it’s because we celebrate the destination, and it’s easier to present the impression we have already arrived than it is to do the uncomfortable work of making the inward journey. Or maybe we feel we don’t have fellow travelers that we can trust. Maybe for a wounded person it feels safer to forego taking a relational risk. Maybe we just don’t know a better way.

But hiding our sins and imperfections is to misunderstand what Jesus envisioned a community of His followers to be. The church was intended to be a subculture of life, called out from a culture of death. Life as God defines it means walking in communion and love, and walking in freedom that comes from addressing our brokenness.

The process of coming to the Light so that the darkness in our hearts is exposed is a process we must all undertake if we are to live in the community of God’s Life. Entrenched lies and destructive patterns must be identified, named, confessed and brought to light, put to death, and then replaced with Truth. Otherwise, they will continue to inhibit the Spiritual healing and wholeness that God has in mind for us.

The hidden stuff has a way of not staying hidden anyway. If it remains present it will shape our identity and our behavior, even affecting those relationships around us as it tends to come out in hurtful or inappropriate ways.

Restoration and Transformation
We were made for wholeness, for freedom, and for loving communion with God and one another. He has created us to need Him, and to need community with one another; to know and to be known; to experience relational unity as human beings helping each other along in the process of being restored to wholeness. The shameful stuff, whatever it may be, has power over us as long as it remains hidden.

“…If we walk in the Light as He Himself is in the Light, we have fellowship with one another, and the blood of Jesus His Son cleanses us from all sin. If we say we have no sin, we are deceiving ourselves and the truth is not in us. If we confess our sins, He is faithful and righteous to forgive us our sins and to cleanse us from all unrighteousness”
(1 John 1:7-9).

May we walk in the Light together.

removing the mask

Prints are available of this painting. Email me if you’re interested at scottnmollie@yahoo.com.

A Brief Update

Scott Freeman street art

“Loveland Gothic,” 12×15 ft, painted by 320 local citizens, young and old.

Book Update:
Well, I think I’ve finally figured out how to get back to book making. I’ve secured a part-time job at a local cabinetry company. This helps to ease the financial pressure for my wife and me, and I’m home from work by noon, which should allow me to get back to working on new storybooks that are waiting to come to life. Thank you for your patience!

Other Stuff:
For the past 3 years, I and a small army of volunteers from my church have facilitated the creation of a community mural, painted by local festival-goers, during downtown Loveland’s annual Valentine’s Day festival.

Each year we’ve spoofed an iconic fine art painting, giving each painting a Valentiney twist. This year I chose an American artist, Grant Wood, using the occasion to celebrate sibling love. Many people assume that Wood’s original painting depicts a husband and wife, though this is probably not the case. Wood never clearly defined the relationship of the characters.

The point of the mural project is to bring the community together in creating something fun, creative, and monumental. Individuals are encouraged to express their individuality on their tiles, and those tiles then each become a part of the bigger picture – a metaphor for community. Festival-goers do not know in advance what the bigger picture will be. This is the reason I have chosen fine art imagery – these images are already well loved by the public and are hopefully something of which no one would object to being a part.

My hope in this is that the church can bring something to the unchurched community that will be received as positive, valuable, and inclusive – things that many do not associate with church in the current social climate

All in all, I think the mural came together nicely! It’s on 4th Street and Lincoln ( hwy 287) if you’d like to stop by. Thanks to the Loveland Downtown Partnership and Chamber of Commerce for their support this year. Also thanks to all the volunteers at Beggars’ Gate church for braving the cold and making this happen again.

Scott Freeman - public art

Detail showing the bear chainsaw sculpture and the Abraham Lincoln brooch.

Loveland Gothic-God is Love

A New Mural Project and the Story Behind It

MLK mural Indianapolis

Photo copyright 2018 Sierra Gillard, used with permission from photographer and subject.

Here’s a story worth telling, about art and hopefulness.

Although I’m a fine art painter in my own right, I’ve increasingly found satisfaction in facilitating “non-artists” in the enterprise of art making. I’ve developed an inclusive process by which virtually anyone, including small children and people with physical or mental disabilities, can be a participant in creating a compelling, monumental artwork. (Of course, skilled artists are welcome as well!) This process necessarily involves large numbers of people.

This recent story began with a discussion I had with one of my daughters last Christmas. She and her husband were visiting for the holiday, and I wanted to hear about her new job in Indianapolis. She was teaching at an inner city school there in a pretty rough environment. She recounted that one of the students had been shot over Thanksgiving break, and that when school resumed, fights had been breaking out over the incident.

The high school where she was teaching had combined two different high schools for the current school year. Then at the close of the school year, these high school students were going to be moved again, and the current school was to become a middle school for the next school year.

My daughter recounted conversations she had with students during a time of sharing thoughts. She told me that pretty much across the board the students feel like nothing they do matters to other individuals. Certainly not nationally, but not even locally. Their voices don’t matter. What they do doesn’t matter.

Pointlessness and hopelessness are not good ingredients for creating a culture of life. Especially for a demographic that has a lot stacked against it.

I wondered out loud about how something like the Fire & Ice Festival murals would go over at her school. For the last 2 years, the small church I attend has been helping me put on these big art-making events, each culminating in a giant public mural. The point of the process is that each individual paints a small square of the larger picture. Each tile bears the personal expression of the individual, while contributing to a larger mural that the entire city can enjoy – a colorful metaphor for community.

We envisioned the possibility that the Arlington High School (AHS) students could see such a mural as both a legacy that they could leave to the incoming middle school students, but also be a way that they could leave their individual mark in a creative, positive, and lasting way. It seemed like these students could use something that would feed their souls; to be part of something big and meaningful. I understood that the staff and teachers at AHS already work hard to deliver this, and this seemed like something that I could contribute, even if from a distance.

I cautioned my daughter that it would be a ton of work for her, but she took it on. She ran it past her principal and then the staff. Even without being able to fully know what was coming they said “yes.” I ran the idea past my pastor to see if our church, Beggars’ Gate, would be willing to cover the cost of my time. The high school would cover materials, installation, and its own time. It was now officially a collaboration between a little church in Loveland, Colorado, and a large high school in urban Indianapolis, Indiana.

The school principal approved a design bearing a likeness of Martin Luther King Jr., which was fitting for this year because 2018 is the 50th anniversary of Dr. King’s tragic assassination.

I completed my part and shipped off over 750, six inch square, prepped and coded tiles to Indianapolis. As the painting began at AHS, the students got into it and so did the staff. My daughter had a friend come in and DJ the painting area to create a good atmosphere. Good things happened. Creativity flowed. Dancing ensued.

community art project

Some kids, “hall-walkers” who have not been able to find their place in an academic setting, found their place in this setting.

At least one student who is artistically gifted spent over 2 hours on his 6 inch square tile. He said it was the first time he had used paint.

A Behavior Specialist on staff said, “You know what? If we would’ve done this earlier in the year, I think our kids would’ve done better. It’s inspiring. I’m inspired!”

As the individual painting was going on, no one really knew what was coming. A few kids snuck their tiles out, presumably because they didn’t want to give them up. But when the seemingly random pieces all came together and went up on the wall, the result was spectacular. A lot of hugs were exchanged.

Congrats to Principal Law and the staff and students at Arlington High School – you did a great job!  Thank you Beggers’ Gate Church, for your support!

Martin Luther King Jr memorial

Martin Luther King Jr. Memorial Mural, painted by the students and staff of Arlington High School. Formatted by Scott Freeman, 2018. (12.5 x 25.5 ft)

Obviously, a mural is not going to solve anyone’s problems. But if, at least for some students, it provided some sense of being part of something transcendent; of having a unique place in community; of seeing themselves as being mentors to younger kids; of creative potential breaking out; then I think that’s a good thing. Maybe that’s about the most we can expect from art.

inner city high school project

Find your place in the bigger picture

Getting a vision? Contact me about bringing an experience like this to where you are.
My email is scottnmollie@yahoo.com.

God, Save Us from the Brilliant People

social justice-parenting

Sometimes it’s astounding to hear the ideas that smart people will entertain.

I thought it would be fun to start off the year by joyfully ignoring some smart people’s wisdom. My hope is that you too will be encouraged and confident in your parenting by taking care to do the precise opposite of what certain smart people recommend.

In 2015, a couple of philosophers, Adam Swift and Harry Brighouse, released some of their thoughts on social justice. To be fair to them, their hearts are in the right place. Unfortunately, they seem to have the hearts of robots. I believe they are still at large.

Swift turned his blinking antennae toward the disturbing fact that certain parental practices can create an “unfair advantage” for kids who come from loving homes. He sees this as a problem.

‘I got interested in this question because I was interested in equality of opportunity,’ he says.

Well…I’m interested in equality of opportunity too. But somehow it never occurred to me to discourage good parenting as a way to level the playing field.

Swift muses, ‘One way philosophers might think about solving the social justice problem would be by simply abolishing the family. If the family is this source of unfairness in society then it looks plausible to think that if we abolished the family there would be a more level playing field.’   

Why even entertain this idea? The family is not “the source of unfairness in society.” That’s like wondering if food is the source of eating disorders. Or if cars are the source of auto collisions. Or if water is the cause of drowning.

Shouldn’t the possibility of user-error be considered here?

Wouldn’t it make more sense to wonder if it’s bad parenting and dysfunctional family dynamics that disadvantages kids? So much societal good comes from good parenting that it would necessarily harm society to “create a level playing field” by abolishing the family. Maybe Swift could direct his time and energy toward supporting and equipping disadvantaged families.

I can’t find the source of the following quote, but I think it explains a lot:

“Progressives seek to create a system that is so good that individual goodness and responsibility are no longer necessary.”

Swift’s comment goes to show how decisively one’s worldview will guide one to a particular destination, for better or for worse. Fortunately, he and Brighouse do reject the notion of abolishing the family. But unfortunately, they instead favor the “mere” redefining of marriage, family, and parenting.

Swift continues,

‘What we realised we needed was a way of thinking about what it was we wanted to allow parents to do for their children, and what it was that we didn’t need to allow parents to do for their children, if allowing those activities would create unfairnesses for other people’s children’.

Here he has in view economic advantages such as private schooling for kids. He’s against that. However, he is grudgingly willing to allow parents to read bedtime stories to their kids at night, so long as they feel at least a little guilty about it sometimes:

‘I don’t think parents reading their children bedtime stories should constantly have in their minds the way that they are unfairly disadvantaging other people’s children, but I think they should have that thought occasionally,’

I wish I were making this up.

Since this is my blog, I get to state the obvious: Benefitting your children through loving and attentive parenting does not “disadvantage other people’s children”! Please DO benefit your children to the very best of your ability! Daily! Use wisdom! Pray for them! Work at having a great marriage for the sake of your kids! These things will also not disadvantage or hurt anyone!

Yes, it’s true… Reading to young children does indeed benefit them in many ways. Notably, it helps to build empathy in them, and can transmit good values to them. The compassionate course for compassionate parents is to raise “advantaged”, well-adjusted kids who will become compassionate adults. Somebody is going to have to care for the disadvantaged in society, after all.

Not surprisingly, in his quest for equality Swift ultimately lands in the same place where our culture increasingly finds itself bobbing like a cork in the ocean with no anchor – the redefining of marriage and parenting:

‘Nothing in our theory assumes two parents: there might be two, there might be three, and there might be four,’ says Swift…Politicians love to talk about family values, but meanwhile the family is in flux and so we wanted to go back to philosophical basics to work out what are families for and what’s so great about them and then we can start to figure out whether it matters whether you have two parents or three or one, or whether they’re heterosexual etcetera.’

While I’m thrilled that these guys are working on figuring out all this stuff for us, I’m not super confident that they will arrive at the truth.

In fact, regarding his basic questions, natural law, empirical research, and the teaching of Jesus all coincide nicely:

“What are families for?”
Even from a non-religious standpoint, lifelong, monogamous, heterosexual marriage benefits society in a way that no other social arrangement does, (to borrow a thought from Ryan T. Anderson.) If a man and a woman make a baby together, and they fail to raise that baby, then the costs to that child and to society can be great. If this happens on a large scale, pathologies will increase to the point where a free society will tend to disintegrate.

On the other hand, there is a mountain of research showing that children raised in a low conflict home with a married mom and dad statistically reap benefits, across the board. If society has an interest in seeing children grow up to be contributing citizens, then the traditional family is crucial for healthy society.

“What’s so great about families?”
Love. Love is great. Security. Acceptance and belonging. Identity. An environment where vulnerable children are cared for by adults who are utterly invested in their lives. The village and the state may or may not help, but they are a pale substitute for a married mom and dad.

Are the roles of “mom” and “dad” dispensable?
It is now fashionable among smart people to believe that family structure is not important; that what matters is 2 loving adults. This is an ideological fabrication that ignores science and research.

I don’t intend to be unkind here. I’m simply saying that biological connection matters, and that kids tend to yearn for relational connection with their biological parents. Adoption is wonderful. We all know many single parents who work heroically to raise their kids well. Gay couples can be just as capable as hetero couples when it comes to parenting. But this issue is not ultimately about love or competency; it’s about what kids are wired to need. Specifically, what a single parent or a gay couple cannot be to a child is a mom and a dad. These roles matter:

A boy simply cannot have his masculine identity imparted and affirmed by his mom. Not because she is incompetent but because she is female. At the same time he cannot experience and appreciate the unity-in-diversity of the deep emotional connection of maternal love with his dad. Not because he is unloving, but because he is male.

A girl cannot receive non-sexual masculine attention, affirmation, and acceptance from her mom. Because mom is female. She cannot receive intimate knowledge and shared, comfortable connection around her innate femininity from her dad. Because he is a dude.

This is simply the shape of reality.

No one is advocating chasing down gay parents and taking away their children, or shaming single parents, or stoning step-parents. We should all support each other in our parenting and create community to whatever extent possible. But parenting should ultimately be for the sake of children, and it is right to advocate for what is best for them when it comes to public policy. Redefining marriage necessarily redefines parenting, and intentionally denying the unique and complimentary roles of mothers and fathers will inevitably disadvantage kids.

Are you on Pinterest? I would be grateful if you would follow me as I try build momentum for marketing my books on Pinterest. (I’m using the name Scott Freeman) Thanks!

What Happened at Loveland’s Fire & Ice Festival

public art Scott Freeman Mona Lisa

Just for fun, on Valentine’s Day, I want to tell you about a community art event that I and my church, Beggars’ Gate, put on at the city of Loveland’s Valentine’s Day festival.

I admit I am troubled over how divided and uncivil our nation has become. I got an idea for a project that would bring diverse festival-goers together in a fun, creative process that would end in an exciting collaborative result.

With my peeps at church and the Festival organizers on board, we contacted the owner of a boarded-up building downtown. He gave us permission to beautify his blank wall. Already there was lots of trust going around.

Here’s how it worked:
We laid out a giant 13 x 15 foot grid of 12 inch squares on the wall and painted a gold frame around it. We numbered the squares 1 thru 195. On my studio floor I transferred a (secret) design to 195 wooden foot square tiles. So each tile had part of giant drawing on it. I designated how each area of each tile must be painted in order to make this work: “L” for light, “M” for medium, and “D” for dark paint. Plus a few rare tiles with white, black, and red areas.

At the festival, our small army of volunteers instructed festival-goers in the process. Some of the tiles were impossible to mess up, provided the right color values were used, so even very small children and people with disabilities could (and did!) participate.

It was crazy and fun!

Loveland Fire and Ice Festival

Unfortunately, this being our first time, there was a lot of guessing and estimating going on. We ran out of tiles and completed the image before the end of the second festival day. But Fire and Ice is a three day festival. So…one of my peeps ran out and purchased a stack of floor tiles. Another one cut some that needed cutting until we had another 100 blank squares. We contacted the building owner again for permission to attach a second mural to his wall. I worked into the wee hours to put together a (much simpler!) second design, and we were all ready for day 3 on Sunday.

A pastor friend, (who ended up hanging most of the Mona Lisa image on Saturday,) must’ve been struck with some deep thoughts while nailing up the creative expressions of nearly 200 people. What follows is what he wrote when he went home Saturday night. He read it to our little Beggars’ Gate congregation on Sunday morning. His name is John Meyer, and here are his thoughts:

The Mona Loveland

What do you see?

This community art piece is a great picture of one of the good things we believe about life.

Everyone is an individual, with different talents, different experiences, different likes. It is those differences that make this picture fun, interesting, and a bit unexpected.

But there is a bigger picture that comes together in a way that makes a beautiful whole out of all the individuality. It happened because each individual brought his or her own expression within the plan of an artist who had an intention from the beginning. It would have been nearly impossible for hundreds of individuals to make the Mona Loveland by talking among themselves. But by accepting (even without understanding) the greater plan of the artist, the unique expression of each individual created something that included everyone, and has a greater meaning and beauty that only exists because everyone came together.

We think this is a good picture of God’s plan for life. Each of us is made wonderfully unique by Him. Just as no two snowflakes are alike, and no two sets of fingerprints are alike, every person has unique and wonderful traits that are found in no other life.

But none of us are meant to be a complete picture alone. We are made for community. The Designing Artist has had a plan from the beginning to allow us to experience both our individuality and the greater good of a community living together.

It is from both living out who we are, and expressing that uniqueness within the “lines” and plan the Designing Artist has for each life, that allows us to experience the beautiful picture of human community to come together.

Our goal is to help individuals appreciate their own uniqueness, and to understand the plan of God that allows all of us to experience His good and bigger picture together!”

Beggars’ Gate Church
Loveland, Colorado
beggarsgate.com

Mona Lisa Valentine

The finished mural: “The Sweetheart City’s” own Mona Lisa, painted by local citizens…

I want to extend a big THANK YOU to the army of volunteers who enabled this event to happen for the community. They gave time, energy, and resources to make this event free for everyone else. ‘God bless em’ all!

dove peace community art project

This is the completed second mural.